Tuesday, April 19, 2011

Happy Campers: Life, Love and Communicatin' at the 2011 AIGA Austin Design Ranch


I had no idea what to expect from my "Copy Around the Campfire" workshops at the 2011 AIGA Austin Design Ranch. I had hopes. I had fears. I had not a lot of planning. But I had an idea.

The premise was as simple: There are parallels between copywriting and country music lyrics. And I figured that by writing a catchy little ditty about logo revisions or a love song to a typeface, graphic designers could learn a thing or two about identifying a message and creating interesting copy.

Boy howdy, was I ever wrong. Because what these folks did instead took my li'l ol' workshop — and even the Design Ranch experience — to a whole 'nother level.

People didn't just write lyrics. They bore their souls. There were songs about lost friends, portraits of conflicted working moms, and lyrics about keeping up with the Joneses. There were songs about lost inspiration, and even one about a troubled family held together by a broken-down dog.

In other words, there were stories.

Below are merely a handful of examples. As you'll see, even the titles are pure country gold.

2011 AIGA AUSTIN DESIGN RANCH
"Copy Around the Campfire" Workshop

(in no particular order)

I Sold My Truck and Lost the Keys to My Heart
Bad economy + agency on the slide = a quest to find inspiration
Doghouse on the Moon
An abused rescue dog dreams of finding a secluded spot

He Makes My Logo Bigger
A Design Rancher has an unrequited crush on a fellow guest

I Don't Finish, I Just Start Over
A song about coming up with song titles — and possibly about relationships?

Six-Shooter Necklace
One camper found his muse in a brassy cowgirl (read: designer) in a Lone Star baseball cap

Standing In Your Own Way
A song about clients, God love 'em

I'm Bringin' Home the Bacon (and it Ain't for the Takin')
Words of warning for deadbeat ex-boyfriends everywhere

It's Not Perfect (But It's Perfect for Me)
A working mom struggles to have it all — and decides she's already got it

My Man Can't Do the Two-Step (But I Love It When He Tries)
A sweet (not sappy) tribute to the apple of her eye

That Skinny-Bone Dog Is Home
An old dog is the glue that holds a family together

Cookies & Milk
Another working mom promises to always be there for her two girls

Two of a Kind, Not One and the Same
A twin claims her own unique identity

You Can't Hide Your Vegan Eyes
A cowboy fears the worst when his carnivorous cowgirl discovers a dark secret

Take Time to Think
Slowing down applies to work, life and love

You Can't Drink All Day if You Don't Start in the Mornin'
Even being a loser takes commitment

My Two Dads Can Beat Up Your One
A sweet tale of love and family told from the perspective of an 18-month-old son

I'm Dumb As Hell, But I Mean Well
He called home from Design Ranch — and might have forgotten to mention her birthday

Stay tuned for pictures, full lyrics and (hopefully) video. And if you don't see your title here, don't worry. I picked the ones that stood best on their own. Send me your lyrics so readers can appreciate the whole enchilada.

Thanks to everyone who participated. You made the workshop what it was — namely, a huge hit.

Wednesday, February 23, 2011

A Good Sandwich Was Had by All


Thanks to everyone who packed the Clampitt Creative Center for yesterday's DSVC Working Lunch. Good times. For those who couldn't attend, couldn't write fast enough or were too busy chewing, stay tuned for a recap.

Mean time, please allow me to shamelessly plug my upcoming workshop:

"Write More Good"
The Smart Center Santa Fe
May 30 - June 1, 2011
Click here for details

Next, please take a moment to peruse my recommended reading list (over there on the right). Remember, if you order "Designers Don't Read" by Austin Howe via this blog, I get something like fifty cents. I'd love to see that e-mail from Amazon telling me I've earned $2.50 for the month of February.

It's good to have goals.

Thanks again for a great discussion.

Wednesday, February 9, 2011

"Why Go to Santa Fe," and Other Ridiculous Questions


1. "Why should I sign up for Wayne Geyer's copywriting workshop at The Smart Center Santa Fe?"

Because you value the relationship between words and images. Because you believe in honing your craft. And because you believe in the power of design as a means of communicating.

2. "Why should I fork over my hard-earned cash to sit in a meeting room and write for three days?"

Because the meeting room is located at a resort in Santa Fe, New Mexico. And for at least some of you, it's not your cash. It's your employer's. And your employer is much more likely to fund your three-day getaway if you can spin it as "continuing education."

If you happen to be the employer, then you're lovin' life. You can give a creative team member an opportunity to learn new skills and bring more value to every project. Or you can get out of the office for three days and call it "continuing education."

3. "Why should I 'hone' my writing? That's why I hire writers. Besides, does anybody really 'hone' anything any more?"

Because you understand that words and images are inseparable in communication. Strong concepts and good writing make your work better. Better work serves your clients better — and commands higher fees. And sometimes the writer is busy. Then what do you do?

As for the word "hone," you're probably right.

4. "Why are you using so many words to persuade a bunch of visual people? Throw us a bone, already."

Of course. Stepping aside now. Enjoy.



Thursday, November 11, 2010

De-jargonize Your Writing The Wayne Geyer Way!

In December 2008, I visited Detroit to discuss jargon with a group of business communicators. It’s one of my biggest pet peeves in writing — and apparently I'm not alone. The room was filled with sole proprietors and marketing directors eager to strengthen their brands and free their communication from the clutter of jargon. This is a summary of our meeting.

Jargon: What is it?

Simply put, jargon is “biz-speak” or other insider language that creeps into our marketing communications.

Jargon: What does it look like?

For an extremely abridged list of taboo words, click here and study my “Words That Cost Extra.” And please feel free to send your favorite additions to wayne@waynegeyer.com.

Jargon: What does it look like in Detroit?

Unbeknownst to my audience, I had studied a few of their websites in advance. My plan was to scan these businesses’ marketing language for jargon — and to blow the whistle on it during the presentation. The participants were relieved to learn there weren’t nearly as many offenders as I had anticipated. But one bit of copy did, in fact, stand out:

Our team of professionals helps create innovative, robust and cost-effective solutions that produce real business results for our clients.

Working collaboratively, we function as trusted advisors, helping guide our clients toward meeting their overall business objectives.

Fortunately for the company in question, it’s impossible to decipher from this excerpt who’s creating these “innovative, robust and cost-effective solutions” — or even what problems they’re meant to solve. But that’s also the bad news. Their “About Us” story could describe practically any firm in any field. And that’s what happens when jargon gets out of hand.

Jargon: Why do we use it?

Of course, no one sets out to write something that’s cold, detached and unoriginal. In fact, I’d suggest that most people use jargon with only the best of intentions:

Clarity: By describing our business as a “one-stop shop,” we’re simplifying a broader and more complicated idea — and we’re trying to let our audience know about our services in as few words as possible. The problem is that this kind of over-simplification is so convenient that it becomes vernacular — and then cliché.

Originality: Almost every business is tasked with saying the same old things in new ways. So rather than letting potential customers know that we offer “a wide range of services,” we pull out the thesaurus and arrive at “a vast array of solutions.” After all, “vast” sounds better than “wide” — and “solutions” sounds more impressive than “services,” right? Unfortunately, new quickly becomes old (remember “push the envelope”?) — and the prettier-sounding words aren't enough to help a vague, tired message.

Embellishment: Let’s face it. Do I really need a “world-class drywall solution”? No. I need someone to fix the hole in my wall. When we offer “best-in-class” or “best-of-breed” products or services (are we running a law firm or an animal shelter?), our claims are not only difficult to substantiate — but our language also pushes a legitimate message past the “bleeding edge” and into hyperbole.

Justification: During the tech boom of the late ’90s, I wrote tons of websites and other materials for e-commerce firms. Every one of them was obsessed with selling a “proprietary process.” In most cases, these businesses needed to justify their fees to prospective clients who didn’t understand what they were being asked to buy. [Note: the value of marketing such a “process” is a topic for another blog post.] For me, the problem was that these so-called “proprietary” offerings weren’t in the least bit unique from business to business — and it was a huge challenge to make them sound worthwhile.

Euphemism: It’s less confrontational to say, “Going forward, we need a best practice around our operating policies” than, “Smith, don’t be late again.” The problem with soft selling is that it can come off as passive-aggressive.

Best practice (get it?): We want to sound professional. We want to seem legitimate and credible. So we adopt an air of formality in our writing that simply isn’t natural. And ultimately, it translates to the audience as stilted — and even a bit superior.

Inclusion: If our competition is offering “world-class drywall solutions,” then we certainly don’t want to be left out of any RFPs because our drywall solutions aren’t “world-class” as well. But this “me too” thinking is a trap — and it reveals the biggest pitfall of using jargon in marketing communications.

Jargon is the enemy of differentiation — and the point of marketing and branding is to create a unique experience in the minds of an audience. In the rush to seem competitive, businesses that litter their branding with jargon are actually forfeiting their competitive advantages.

Jargon: What can we do about it?

The key to eliminating jargon isn’t as easy as picking up a thesaurus or performing a “Find / Replace” command for every occurrence of “solutions” in your text document. We don’t need better words. We need better ideas. And so, here are a few pointers for identifying and articulating clearer, more original and more compelling marketing messages.

  1. Have something to say. Somewhere in your laundry list of features and talking points is a real emotional or financial message. People who read marketing materials are interested in benefits — saving time, saving money, feeling empowered, increasing sales. Find what’s relevant to your audience, and shout that message from the rooftops.
  2. Say what you mean. In their efforts to sound professional, many business people end up writing copy that’s stilted, stuffy and formal. Even worse, they get themselves into ridiculous grammatical situations — all in an effort to sound like they know what they’re doing. Think about how we suddenly try to sound like lawyers when we’re talking to a judge about dismissing a traffic ticket. When you’re writing, ask yourself, “Who talks like that?” — then re-structure your sentences so they’re more direct and natural.
  3. Shift the focus. We’re talking to an audience, not to ourselves. Replace ideas built on “we” and “our” to messages aimed at “you” and “your.” Make it relevant to the reader. Speak to the benefits they want.
  4. Spell it out. Without insulting your reader’s intelligence, don’t hesitate to state your intended message plainly and directly. Ask for their business, their confidence and their trust. Tell them what you want them to know — in the context of their interests. In other words, answer the question, “So what?” You can do this by incorporating “transitional” words or phrases. These include, “In other words” (see previous sentence), “That means” or simply, “So.” Transitional words or phrases are cues to the reader that you’re about to break something down for them. Use them to get to the point and to clarify your message.

Bottom line (see? a transition), branding is a dialogue between your business and your customers. Speak to those customers the way you’d like to have them speak to you. Remember, you’re a consumer, too. You’ve read countless marketing messages — some bland, and some memorable. Find a unique voice for your business, and then use it simply and clearly. You’ll not only treat your audience with the respect they deserve, but you may also find that they reward your originality and honesty with their business — and their loyalty.

Thursday, October 7, 2010

The Other Reason: Amos Paul Kennedy, Jr.


There are lots of reasons to go to the 2011 AIGA Austin Design Ranch. Odds are you know several of them. But if you're like me, you're discovering new ones every day.

This evening I poked around Kennedy Prints! — the online home of workshop leader Amos Paul Kennedy, Jr.

I have no idea how Mr. Kennedy plans to haul a Vandercook 325G to the Texas hill country, and I don't care. I'm good with just listening to whatever he has to say.

Looking forward to hunting down his film and (humbly) requesting a reprint or two.

Friday, October 1, 2010

A Bunch of Rock Stars (and Wayne Geyer)


AIGA Austin Design Ranch announced its workshop leaders for 2011. Also, registration is officially open.

Details here.

As a presenter, I was just as excited to see the list as any soon-to-be-participant.

I'm in great company.

Friday, September 24, 2010

Hot Diggity Dadgummed Dog!


Howdy, Folks!

I'm pleased to announce that I've been invited to lead a creativity workshop at the 2011 AIGA Austin Design Ranch.

Read all about it here. And mark your calendar for April 14–17, 2011.

Registration begins October 1, 2010 — so go ahead and start figuring out what you're gonna tell your boss.

This is the 11th year for the Design Ranch, and it draws about 150 attendees. Past workshop leaders have included Seymour Chwast, Charles S. Anderson, Chip Kidd, Hatch Show Print and Kinky Friedman. Whoa.

If you can't make it, you need to tell a friend and borrow their notes.

Still debating how much Texas "twang" to infuse in these posts. Leaning toward, "not much."